I’m 100% for Ciri being the main character and I’m also complaining “what about the lore”. You can do both at the same time. There’s a vocal minority of people who’ll use the lore argument to be sexist assholes, but people who have actually read and understood the books can have some valid concerns (ie where and how did she go through the trials, why can she use magic again, where did she even find how to do the trials, and just… why? She didn’t need them and it’s a bit of a character regression. She was basically already a witcher by title.)

Yeah, exactly! I’m not married to the lore to the degree that I won’t give the devs a chance to explain how this came to be, but I’m worried it’s going to just be a cheap “well we needed to keep the signs and the potions as mechanics but Geralt is retired, fuck it, let’s say they found instructions on how to safely make more witchers in Vesemir’s cupboard somewhere.”

(Lore nerd rant ahead, tl;dr: Ciri being the protag is 100% fine and I expected it but her being a full witcher is weird)

There’s exactly one somewhat valid complaint to be had here, and it’s that Ciri in the books explicitly didn’t go through the Trial of the Grasses (aka one of the main mutation processes that makes you a witcher or, as it often happens, just straight up kills you), so idk how they’ll justify her being able to use witcher potions and stuff now. And (also in the books) she has lost her access to magic at one point, so using witcher signs is strange too.

I can see her wanting to take the plunge and go through with the trials, but I’m also certain that Geralt wouldn’t want that for her bc of how much it fucks you up + most of the secrets of the trials have been lost.

I’m willing to give them the benefit of the doubt and wait and see what explanation they come up with for her being a full witcher, but it better be good.

So, from lore perspective, I have no objections to her being the protag but I don’t love her being a full witcher. I liked what they did with her gameplay sections in W3, I hoped they’d have just expanded on that gameplay idea more.

…no? This is specifically referring to things like fanfiction. Haters rarely actually write fanfiction - you’d have to be really dedicated to despise a work enough to devote hours of your life to writing in its universe. Fanfiction is generally quite earnest and made with love for the original work.

I’ve reinstalled Sims 3, because I wanted to play the Sims but just can’t deal with the broken cash machine that is the Sims 4. It took a decent amount of effort to get it to run, and it doesn’t run very well, but it mostly works. And… it’s so good. I forgot just how good it was.

I’m amazed at how much there is to do, and just how well my sims can take care of themselves - when playing 4 I always just made 1 or 2 sims, so that I could control their every move bc otherwise they’d be stuck doing something useless on a loop. Here I can have a family of 4 and actively play just one of them, and the rest will cook, clean, do homework, and generally look after themselves while I’m not there. It’s amazing how they had this figured out so many years ago, and regressed so horribly.

Recently released Wayfinder has been scratching that itch for me! It used to be a multiplayer live-service game, but during early access it got converted to a normal singleplayer/coop game with 0 microtransactions and it’s a lot of fun. My only issues are with performance, which isn’t great, and build variety, which doesn’t exist. There are 8 characters with limited customization (except visual, you can do a lot with all the dyes and trinkets) and you just gotta rotate between them to keep the playstyle fresh.

But the combat is fun, the graphics are great (they aren’t beautiful, but they have that timeless cartoonish high fantasy aesthetic, like early WoW), and there is a lot of stuff to do and reward chests to collect. It really is feeling like a new KoA to me - as you said, just a solid, mid-tier action RPG.

So considering that we’re in patientgamers… add to a wishlist and wait for a sale? :P

Not mentioned yet: Chronicon. A small indie game that doesn’t take itself very seriously. It has much less build variety than something like Grim Dawn (obviously) but it’s got some, and it’s aiming to be a much more streamlined/casual experience. Won’t demand as much of your time and attention, will deliver hugely satisfying colorful explosions across the screen. When I’m in the mood for an ARPG it’s a toss up whether I’ll install this or Grim Dawn.

All of them, honestly.

The Crucible is the weakest - it’s just an arena mode, but it’s got a lot of utility for speed leveling new characters + some QoL for existing ones.

Ashes of Malmouth is the direct continuation of the base game’s story, adds Necromancer and Inquisitor which are both very well-loved masteries, and you need it for Forgotten Gods anyway. The zones are a bit meh - great overall mood but you spend a lot of time in cramped corridors.

Forgotten Gods adds Oathkeeper (very fun) and tons of huge new zones with a refreshingly different vibe to the rest of the game. And you can go to this expansion’s zones from the start! (Except that you probably shouldn’t on your first playthrough, you’d get destroyed and you probably want to focus on the main story anyway.)

I’d wait for a sale and get them all if you like this genre, or just base game + AoM if you just want to give it a shot (and technically you could hold off on AoM until you’re close to the end of the campaign).

Something kind of adjacent to this happens in Octavia Butler’s Xenogenesis series. Aliens come over to fix the Earth and humanity, but decide that human nature is part of the problem, and set out to modify it. It’s a really interesting read.

Trams are, as you’ve noticed, a different usecase - subways are for getting you from A to B quickly, and trams are for getting you to the subway stop/straight to your destination on a shorter trip. One prioritises speed and throughput, the other - access and ease of use. Both should be used together to form a good transportation network, with buses and trains going to more remote/less dense areas.

I was in the mood for a) something that won’t require a lot of thinking and b) something high fantasy. So… I started The Way of Kings. I’m not Sanderson’s biggest fan, but I can’t deny that it’s a very quick and fun read (despite its monstrous size). No thoughts, just get swept up in the world and enjoy.

The storm-based worldbuilding is very cool. Coincidentally, I’ve been playing Against the Storm a lot. Very interesting how a similar base idea (what if we had a world ruled by a cycle of storms?) can go in such different directions.

Spoilery thoughts:

I’m trying to get out of a reading slump I’ve been in for the last… 3 months? Picked Orconomics to get back into things and just finished it today. Honestly, the first 50% was like pulling teeth. But I got pretty hooked after that, once it really got going and subverting the usual fantasy tropes, and enjoyed it enough that I’ll probably read the sequel at some point.

There was just one bit of weirdness that kinda bothered me - in the main cast there were two decently important female characters and they were both absolutely fine, I liked them a lot! But there were just… no other women in this world? No female city guards, innkeepers (there was the innkeeper’s wife, I guess, but she was there for a joke), no clerks or managers or shopkeepers. Idk.

Oh interesting, one of the reviewers on goodreads that I mostly trust has just published a fairly (heh) critical review of the first one, apparently you’re either going to love this or be completely baffled by what other people see in it xd

Agreed 100%, the end is not great and feels very rushed but it’s not really about the plot, it’s about the vibes/ideas.

Just finished Lies of P. My hands are still shaking from fighting the final boss, that one was a nightmare, took me 3 hours of attempts.

Still, this is a great game for fans of Soulslikes - more of an iterative improvement than anything revolutionary, and not as thematically interesting as Fromsoft titles, but a very polished experience. Really good boss fights.

I got a highly ominous one

I’ve finally decided to give Cyberpunk 2077 a shot, deciding that it has had enough time in the oven, and… yup. I’m happy to have waited all these years to play something that’s a finished product, runs well, looks beautiful and is engaging and fun to play. Honestly I spend half of my time in this game just walking around the city - it’s the first city in a game that feels realistic, with all the street markets, food stalls, drunk people wandering the streets at 4 am…

BG3 was overall the best game I’ve played this year though.

I would like Persona 5 Royal, never really had a chance to get into this series but I’ve heard good things!

I grabbed Yakuza: Like a Dragon and Sleeping Dogs Definitive Editon, both of these are supposed to be great on the deck! Still stuck in Packaged purgatory though, so it’s going to be a while before I actually get the chance to play them. There were some other games I was considering, but I gotta stop spending so much money right after buying a new piece of hardware… One day Sekiro will be at 70+% off, and that is the day I’ll buy it.

My favourite tactic is based around Hunger of Hadar, a Warlock spell that creates a zone that a) deals damage to everything in it at the start and end of its turn; b) is difficult terrain (aka slows everything down); c) blinds everything in it; d) best of all, has no save. Plonk it down in the middle of the enemy team, use another control spell to slow everyone inside even more, use shove/repelling blast/whatever to push anything that’s made its way to the edge back to the middle. Wait for everything to die, rinse & repeat.

But the greatest cheese in the game must be casting darkness (or shooting arrow of darkness) on your own party. As long as you’re inside the cloud you are basically untargettable by spells and ranged attacks - and the enemies don’t seem to be smart ebough to be throwing Fireballs on just any weird clouds they see. On your turn you just need to step out, cast/shoot, step back in. The only way they can get you is if they come inside the cloud with you (aka in range of whoever is on blender duty, Lae’zel or Karlach like this posting a lot), and the AI gets a bit confused when it can’t see you so it’s not a sure bet that they’ll even try. It’s a thing of beauty.